بنيوية الشكل الرمزي : الرسم أنموذجا : دراسة تحليلية

Abstract EN

The research included exposure to the culture of consumption on which contemporary art was based, which included art as a result of its openness to other cultures and its impact on technological developments and means of communication that turned everything into a commodity.

The research came in four chapters, the first of which included the general framework of the research starting with the problem of research, its importance, its aim and its extended limits from 1989 to the year 2010, and then defining and defining the most important terms contained therein.

The second chapter included the theoretical framework of the research, Under the title of the concept of culture of consumption in which the researcher presented a summary of this culture, and the second section included the basics of contemporary intellectual art and a simplified explanation for the role of media and modern techniques in influencing the art in this stage (consumerism), and reviewed the third section transformations sculpture from modernity to post Modernity and Impotence The third phase of the research included research methodology in which the researcher adopted a descriptive approach to the analysis of the sample derived from a society The research, which included a collection of works that the researcher examined from the internet networks, letters and papers, was chosen for the purpose of selecting a sample representing (ie the research society), which was deliberately selected from internet networks and amounted to (6) sculptural works.

The fourth chapter contains the most important findings of the researcher and the conclusions reached, and the most important results: 1_ Like pop art at this stage popular trend and entered within the framework of publicity and advertising that made the works of art turn from jobs with functional function to consumer business as is evident in all sample samples (1, 2, 3, 4, 5, 6).

2_ The same ready-made business in the consumer society in the art of postmodernity through the work of the use of ready-made waste, such as a shift in the work material (away from what was known of materials such as clay or gypsum and other materials) to produce a work of art as is evident in the models 1, 3, 6).

3_The sculptors who resisted the concept of consumption in their plastic language relied on the principle of propaganda and promotion to reflect a popular style by using every consumer that is daily, ready and neglected from needs of consumer value within the capitalist society, as is evident in models (1, 5).

the art.