النظرية النسبية و تمثلاتها في المسرحي العراقي

Abstract EN

Theatrical art is an art that collects various disciplines, as it engages with the entirety of the scientific and humanitarian paths with the aim of benefiting from them in developing its techniques and tools, whether the organizer of the work (director) is aware or the employment came spontaneously and scientific theories are considered in the fields on which researchers' interests have focused in recent times, Accordingly, the current research has tended towards studying the theory of relativity as one of the modern theories that have penetrated physics, and that time is an inseparable part of space, and that both are closely related to the other through which they form the four-dimensional connection (length - width - height - time) in a unified space-time , And that the measurement of distances is affected by the quality of that relationship between time and place in a specific space for each viewer, and since theater is a tangible physical entity that requires the existence of a place and necessity linked to time with its standard and historical dimensions, relativity is in harmony with the overall articulation of the presentation with all the goals, ideas and innovative technologies that space carries in which worlds are formed It is assumed whether it is temporal or spatial, and with this the current research goes to investigate the main pillars on which the theory of relativity is based and to find out their representations in theatrical theorizing and reveal them in the settings of Iraqi theater experiences.