تكريس جسم الممثل في الأداءات المسرحية العراقية

Abstract EN

The research seeks to highlight the nature of physical (physical) emancipation, which possesses natural agility, a faithful resistance spirit, and the belief of the mystic expressing ideas and signs and their connotations, signs, gestures in theatrical performances, and reformulate their composition, adding benefit to all workers in the field of representation and directing, and benefiting educational art institutions, theatre groups, and artistic activities related to the Iraqi theatrical experience.

The aim of the research is : The disclosure of the universal or divided foundations between human cultures, the means of their physical (physical) incarnation by the actor and their atromaticity in the dialogue of civilizations, and the disclosure of the concept of the body (anthropological) and the possibility of its embodiment on stage to an anthropological theatrical body .

1-The body's expressive and rhetorical ability stems from the pre-expressive references and from the cultural civilization of man .

2-The presence of the body is due to the techniques of itself and its displacement of emotion .

3-Body mechanics are the same in all theatrical and artistic cultures, but what changes is the way its mechanisms work and give it new qualities .

4-The pre-expressive, primitive, theatrical, anthropological, utopia-like body all its members cooperate in achieving the aforementioned vocabulary .

5-Each body has the ability to carve many bodies, when possessed by a capable, creative, creative actor