وظائف الموسيقى في الفيلم السينمائي: تحليل مشهد الحمام من فيلم "سايكو" لألفريد هتشكوك أنموذجا

Abstract EN

The study of music in films can be approached from different academic perspectives due to the nature of the subject matter, as researchers in this field rely on approaches and ideas from other fields such as: cultural studies, psychology, semiology, and the fact that the film being studied today is no longer separated from musical studies.

and since music is a more abstract acoustic world, and its work in the film is important in cinematic narration and has power not less than the power of the picture, so music with pictures has the ability to forge meaning to produce a feeling that film and music can now participate in cinematic discourse by sending messages through a channel other than speech or pictures.

as a result of the above, the core of the research revolves around the functions of music in a motion picture, the type of music a film needs, and the extent to which the ideal combination of picture and music is achieved.