توثيق نضال الهوية عبر المسرح التسجيلي: مسرحية الرجل ذو النعل المطاطي لكاتب ياسين نموذجا

Abstract EN

The possibility of representing documentary facts on stage is called into question.

can the dual requirements of documentation and art be met? both the documentary value in favor of artistic framing or artistic framing in favor of political influence, and how documentation and art can be reconciled, according to which art and politics must be clearly separated.

documentary theater must be artistic in order to obtain its legitimacy.

achieving a balance between documentary realism and the artistic demands that the theater requires, the play "the man with the rubber sole" by Kateb Yassin is a study model for the extent of the compatibility of theatrical art with the documentary based on facts.