الإيقاعات الموسيقية من المولد الديني إلى العبث الفني في المدائح الدينية لموسيقى الراي: مقاربة سوسيوثقافية

Abstract EN

Musical rhythms are a form of communication and spiritual expression of the immoralities of the human soul.

this expression has accompanied man since prehistoric times, and has been closely linked to psychological and social states such as fear, joy, sadness and ceremonial, this research aims to link the relationship between religion and music according to a historical and socio anthropological approach, and shows how music was able to reconcile between the self and the other, and was music able to adhere to religion over time, or it escaped from its grasp? and how has contemporary art tampered with what is sacred and made it in the category of profane? this scientific paper came to answer this scientific proposition according to the human and social sciences approach with an analytical study of a sample of religious praises from contemporary music to decipher its symbols and its revolution against the sanctity of religion.