التشكيل البصري في شعر عقاب بلخير : قراءة سيميائية في مختارات شعرية

Abstract EN

The Visual formation occupied a prominent place in constructing the modern Arabic poem, as a meaning-building and as a semantic production.

Each poet has worked hard to diversify his own methods, where his characteristics have emerged depending on the imagination's differences of one poet and another.

Moreover, every poet has his own artistic vision from which he proceeds to establish a new existence.

This vision, which is based on cognitive and intellectual backgrounds, inevitably produces different (structures) poetic images (and complex).

Our choice of this topic is based on our awareness of its scientific and artistic value, as it is an essential part of the concerns of scholarly critics.

This research paper comes to trace this phenomenon (visual formation) in the poetry of the Algerian poet Okab Belkheir, and the question that arises is: How is this phenomenon reflected/manifested in the style of his poetry? And which role did it take to interpret his goals?