الدراما التاريخية و تعزيز التذوق البلاغي للناطقين بغيرها : الأندلسيات أنموذجا

Abstract EN

There is no doubt that the text has its captivating charm that robs the hearts and captivates the hearts, as long as the factors leading to that are present.

the creators often sought this influence, because of the pleasure and ecstasy that it brings them, as the greatest poet al-Mutanabbi said : “the creation stays awake and quarrels”.

however, with the advent of the camera and recording or what is known as drama and cinema, the effect of the image to clarify the text increased, and with it the interaction of the recipient who watches the text as if it was the result of his moment, increased with it, and his feeling increased with it .what is meant by the image here is the speaking image, not the silent one.

the speaking image was able to inspire another life in the literary text, poetry or prose, when it was rewritten by a creative scriptwriter such as Dr.

Walid Seif, who was able with his pen with the camera of the late director Hatem Ali-may god have mercy on him-to a facet of Arab culture appears in several aspects, such as the series “the Saqr of Quraish, the Cordoba spring, and the kings of the sects” and other historical masterpieces that were able to direct with the splendor of casting in the script to attract the attention of millions of followers, and pull the rug out from under the feet of the drama social media and other things people see on TV.

the problem of the research becomes clear in clarifying the extent to which educational institutions are able to employ historical drama in teaching Arabic rhetoric.