الراهن و تحولات الكتابة الروائية في الجزائر

Abstract EN

The contemporary Algerian novel has witnessed a clear change in the strategy of reading the present, and the embodiment of the new and diverse forms of conflict in the imaginary, despite the difference in the artistic and intellectual vision between generations and in the conditions producing this vision, as they took upon themselves the duty of writing and raising the level of the novel technically and sharing the love and suffering of the homeland, even to see in many models novelists who share one heavy memory and they are one unfinished writing, and a vague future with multiple possibilities.

Accordingly, we are prompted by scientific desire to engage in research and deal with this literary genre as a semantic and aesthetic space in which writing shows its ingenuity and its ability to question reality and reveal its hidden aspects.

The novel texts of this generation of novelists remained an opened single space to a one novelist world that represents the ideal model for the experimental Algerian novel, which can only be a clear mirror reflecting the good reality of the new Algerian novelist writing that seeks renewal and permanent development, and it is another mirror to the extent of overlapping the real world with the imaginary one.

Was writing for them able to be a tool for understanding and interpreting the hidden truths that constitute the present? Was the Algerian creator able to enrich his artistic and semantic purposes and work to deepen the aesthetic awareness of the recipient and critic?