تداخل الأجناس في مسردية "غنائية الحب و الدم" لعز الدين جلاوجي

Abstract EN

This research is to recognize one of the forms of experimentation in the play, by recognizing the term : "masradia" and the writing experience according to its giving to Algerian innovator Azzedine Djelaoudji.

which aspires to give the stage a dynamic match the vitality of narrative in contemporary literature.

and that the show will not remain on stage and has a wider audience.

in this sense, the masradia of love and blood was an experimental model races overlap and create a world.

the old Arab narrative and contemporary narrative are combined in harmony that serves new issues.