العدول إلى قلب التركيب في الشعر : بين الضرورة و الإبداع

Abstract EN

The research deals with the phenomenon of the heart of the structure in poetry and its models, and the views of the scholars in accepting or rejecting it.

It also discusses the fundamental issue of whether it was always necessary for poets to be motivated by this kind of heart.

Or are there places where this heart is meant to be asked for creativity and creativity? The nature of the study necessitated following the analytical descriptive approach, leading to the results of the most important of which were: Confirming that the heart of all types of the Arabs in their words - the heart of the structures is abundant in poetry without prose - the scientists have three doctrines in the matter of his presence in poetry: between rejection, acceptance, - The evidence in poetry can be divided into three sections: Part of the necessity of pure, and another section combines the necessity and creativity, and a third section intended poets for creativity only.