دعائم البنية التصويرية في النص الشعري الجاهلي

Abstract EN

This research has an introduction to the pillars of the imaging structure in the preislamic poetry.

In this research, I deal with five pillars of the imaging structure, namely: personification; embodiment; colouration; style; and imagination.

Then I give examples to each one of these pillars from the preislamic poetry.

The aesthetic that preislamic poets used was not just a transient one.

The poet used the nature and environment around him to get an image from them, so it was a special one created by the artist in a special linguistic form, and the reader cannot taste this image except through interacting with its element and contemplation the pillars of its structure, especially the totals image that consisted of more than one partial image.

It needs to be stopped at so that the reader can taste its sweetness, think about its moral and what the poet needs to say through this image.

Every reader has their own mind and experiences that make them distinguished from others, form its way of contemplating the text that they stop at and assign the nature of the content taken from it.

so critics are greatly interested in studying the aesthetic