مظاهر الانزياح التركيبي في ديوان "في القدس" لتميم البرغوثي

Abstract EN

The Language is a malleable means in the hands of the writer, who destroys it and reconstructs it again from an attractive appearance that takes it out of the usual and familiar, so that it performs what it ought to be characterized by of uniqueness, creativity, power of attraction and captivity, achieving the desired poetic, and elevating the literary text to the semantic space that reveals aesthetic values in the same creative.

These aesthetic poetic stylistics was manifested in the Diwan “In Jerusalem” by the contemporary poet Tamim Al-Barghouti, through the structural deviations that the poet intended in various manifestations, most notably: the violation of rank, where he rearranged the linguistic units in his poems to suit his semantic purpose; It provides a place of care and attention.

Also, the increase, represented by repetition, reveals the poet’s insistence on an important aspect of the phrase more than his care for anything else, consolidating the meaning, captivating the recipient and igniting his feelings towards his cause in which he believes.

The emotional scenes in bloody Arabism, including the attention, through which feelings of anger and turmoil were revealed about the exciting scenes that the poet paints for his lost homeland.