ملامح الهوية و السردية الواقعية للمشهد الموسيقي في فيلم مصطفي بن بولعيد

Abstract EN

Musical symbols play an extreme role in activating the features of reality provided that there are confirming acts of identity in their musical fabric, and therefore music appears, especially in its landscape context, as a language that addresses the reality of the film in its tone represented in it, as these confirmive acts express through strategies selected according to the elements of the musical language and specific to the dialect of reality.

on this basis, the scene is reinforced, especially in the cinema of reality films, which deal with revolutionary films with mechanisms that support the system of symbols in generating and re-making the historical event as it really was, and therefore this reinforcement can only be achieved by applying a system of simulation of reality that revolves between the mentality of the composer and the scene depicted.