راهنية الكتابة السينمائية في الجزائر بين الموضوعات الثورية و القيم الاجتماعية : فيلم أبواب الصمت لعمار العسكري أنموذجا

Abstract EN

Algerian cinema is an interface that reflects many ideas and aspirations of peoples, and special points of view, with regard to everything related to the eternal November revolution, the heroism of the Algerian people, their aspirations and the reality of the war of liberation, and the social issues that the Algerian people lived through during that period with the aim of responding to the other, with different points of view Counter, and this is through what its filmmakers and screenwriters have addressed, from the perspectives, or epic revolutionary trends, about the nature of the contents of these films, which were addressed in writing the script, which is reflected in most of the Algerian revolutionary and most successful feature films.

We aim through this study to shed light on the revolutionary themes and their manifestations in the Algerian cinema.

Ammar Al-Askari is a model included in this study by analyzing the film and monitoring the manifestations of the revolutionary theme through the development of events in the film, as well as its dramatic structure of personalities, conflict, event, time and place...

etc.

through which the revolutionary theme is manifested in the film.