طينة الشعر و تأثيث المعنى السيميولوجي في ''تجليات طين الصمت'' للشاعر مشري بن خليفة

Abstract EN

This article anatomist the vision of a poet interacting in his poetic blog unusual angles of view and poetic rhythms.

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There is a lot of mercurial meaning, a lot of poetic Overflow, a lot of stylistic saturation, a lot of invocation of religious symbols and Quranic harmonies, and a lot of aesthetic altruism of open vocabulary and formulas touched by the poetic discourse of Mechri Ben Khalifa.

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Which is strongly present in his sentences, compositions, images, suggestions, metaphors and in his lexicon, which is characterized by a clear tendency to adapt the language for aesthetic purposes that appeal to the poet.

In order to express his open-minded point of view on the collections of Arabic poetry and on the world human heritage according to techniques that are essentially emotional features that reduce his experience, define his vision and reveal the sources of his fluid flows that characterize his speech.

It reveals the nature of the poetic vision embodied by the divan of the manifestations of the clay of silence accurately.