خصوصية النص السردي الجزائري بين واقع الإنتاج و خيارات النقد الأدبي

Abstract EN

Since artistic and literary specificity is primarily a social and cultural specificity, and no two differ in the diversity of the social and cultural composition of Algerian society that has been reflected in literary production, "each text has its own identity" as Bakhtin sees it, and the Algerian narrative text carries the peculiarities of Algerian identity with all its precursors and the repercussions and crises of its being ..., so how did the Algerian writer employ this combination of sources and influences ? the subjects of the texts varied infinitely and the quantity prevailed over the quality of writers and topics, and floated the employment of colloquialisms, local specificities, languages and elements inherited in society, as is the case with the texts of the autobiographical novel, which complicated and expanded the process of criticism, research and academic studies in these texts, ...

our study seeks to identify these particularities and identify the references affecting them, based on the descriptive reading, what are these peculiarities and what are their references ? and how does criticism deal with these peculiarities and diversity ?