تجليات الأنا الشعري بين المدخل و الامتداد في شعر المتنبي : مقاربة سيميائية نفسية

Abstract EN

The “ego” is definitely the being that bears the burdens of human experience and seems to be permanently at odds with itself and the others.

this being seeks to control the world and to get others' recognition.

in fact, the “ego” is the being's awareness of its uniqueness, as it has to feel its distinct character or personality.

what is more, the “ego” is a workplace for multiple drives such as instincts, thoughts and actions.

but work requires that some drives overwhelm the others.

these drives are closely linked to what is in interaction with the personality.

the “ego”, therefore, becomes the personality's valuable asset acquired since birth in relation to the individual experience.

for this reason, different knowledge-based approaches are seeking a broad knowledge about man in order to promote him from one rank to a higher one.

and literature hasn't failed to promote individuals to higher ranks making them world figures of all times.

evidence for this fact is clearly seen in collections of our ancient Arab poetry and in the poems that were made.

thus, how has the “ego” revealed itself in the opening verse and throughout the Arabic poem ?.