سيميولوجيا العلامة في المقدس الديني : الطقس الاحتفالي للسود الأفارقة في تونس أنموذجا

Abstract EN

The Stambali show in Tunisia is a cultural peculiarity of an “ethnic” group that has settled down and has been able to interact with the prevailing cultural environment in its religious and secular dimensions.

its ethnographic study has revealed that the Stambali art along with the rituals associated, which is closely related to African blacks in Tunisia is a fixed stereotype that is firmly rooted in the collective imagination of black and white Tunisians.

the symbolic connotations of the Stambali ritual emanate from the traditional interpretations of this art as an expression of the images of suffering and oppression undergone by slaves in the history of their forced journey from sub-Saharan Africa.

such connotations have changed to proceed to investing the rules of the semiological lesson in an attempt to understand what the practice indicates, as well as the implications and dimensions of the symbols and signs within the festive ritual.

the exploration of these signs and their system resulted in deciphering the secrets of the unspoken language, in particular, and what it symbolizes in terms of beliefs, relationships, and social and cultural norms.

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as well as the ramifications of the historical life path that these blacks underwent from their deportation to their settlement.