سيميوطيقا المسرح

Abstract EN

It is undeniable that the mechanisms of cinematographic criticism have become known now more than any other time before, and they have made great progress in the field of literature.

on the other hand, in the field of theatrical criticism, they continue to take small steps, particularly with regard to theatrical performances, despite the fact that they are considered as the most important mechanisms enabling the theater to enjoy specificities specific to him as a creative system of signs.

this research note is intended as a clarification of certain cinematographic concepts at the language level, which concepts have been exploited as tools in theatrical approaches, building on the achievements of the Prague school in this area.