التناص في اللوحة الفنية المعاصرة بين جمالية التشكيل و انفتاح التأويل : مقاربة سيميائية-تناصية للوحة سطور المدينة لأحمد مباركي

Abstract EN

This study constitutes the topic of intertextuality in contemporary art painting, and is concerned with research on the aesthetics of composition and openness of interpretation in a theoretical preface that tries to illuminate the concept of intertextuality and the most important theoretical approaches that put forward this critical term, and the study raises the problem of intertextuality and its role in revealing symbolic semantics and understanding the plastic vocabulary of contemporary art painting in a based on the premise that the painting is a multi-layered visual text subject to the concept of intertextuality, the study followed the descriptive-analytical approach in its theoretical aspect, and it is important that the painting has a chemistry whose variables interact dynamically In the equation of composition and interpretation.