تجليات المفارقة في رواية تاء الخجل لفضيلة الفاروق : دراسة أسلوبية

Abstract EN

Contemporary Arab critics have given a considerable attention to the paradox and this is obvious in their writings to ensure the continuity and the renewal of the text.

the paradox contains highly semantic densities which requires great interactive and interpretive efforts from the recipient to reveal its meaning from the onset.

this study also aims to search for the aesthetic value that arises from the use of irony in the novel "Taa al-Khajal" by Fadhil al-Farouq, and then standing on the impact that it causes on its recipients.

this research also shows the direction taken by the paradox, starting from the seduction of the title for the recipient, and all the way to the seduction of the narrative body in order to monitor the size of the gaps formed by the narrator within it through its various displacements.

al-Farouk also worked hard to employ irony, as she regarded it as a reflective mirror of the various images of reality, and through it she was able to get rid of the strict censorship of society.

it also regarded it as an aesthetic literary tool and a key factor in building her fictional discourse, in addition to being one of its pillars that clearly contributes to imparting a symbolic and suggestive dimension.