تداخل فن الرسم في رواية سوناتا لأشباح القدس لواسيني الأعرج

Abstract EN

The novel "Sonata of the ghosts of jerusalem by waciny laredj opened thanks to the experimentation on the art of drawing, which overlapped with the word to establish a narrative modernity based on openness to the visual arts.

an aesthetic, synthetic, semantic and linguistic value, whether on the cover threshold or within the narrative body.

this study stems from a problem imposed by the nature of the research centered on the following: what are the aesthetics that the art of painting has added to the novel?, that is why this study came to find out how the art of painting was manifested in the threshold of the cover of the novel "Sonata of the ghosts of Jerusalem" and in its body, and sought to reveal the aesthetics of the interaction of what is linguistic with what is non-linguistic, and among the results reached: the openness of the language of Waciny Lared to the aesthetics of a silent visual formative discourse.

linguistically, he recounted it to furnish the architecture of his novels.

those images and graphics that enveloped the novel were intense codes that reduce the content of the narrative text with its blackness due to the loss of the homeland.