الأنساق الإيديولوجية في الخطاب النقدي العربي المعاصر

Abstract EN

Criticism is an accurate reading that can delve deeper into a creative text in order to produce a parallel text.

The latter expresses a people's integrated position and critical vision using a language and gestures that have meanings.

It is obvious that the parallel text is not only an effective field for ideology but it is also the producer.

Thus, it is impossible to separate the critic from his ideas and positions, because the text could hide that ideology with its hidden contexts to be seen as linguistic structures.

The present research aims at highlighting ideological contexts included in modern Arabic critical discourse, and wonder about its knowledge sets, and mentioning the limits of the relation between the critical position and the critic's ideology.