Ecrire entre les langues à l'aune de l'identité culturelle : la traduction interroge la création plurielle dibienne

Abstract EN

This paper investigates and examines the collective writing strategy of the Franco-Algerian writer, Mohammed Dib, in one of his distinctive novels that was written in French, Neiges de Marbre (2003).

Dib’s novel is set on the edge of different languages and cultures, in other terms, at the heart of heterolinguism which paves the way to question the future pattern of the latter in Arabic literary translation.

This research will therefore rely on literary theories that were introduced and refined by academics such as Rainier Grutman (1992, 2012), and Laté Lawson- Hellu (2003, 2004) so as to discuss how translation tendencies adopted by Mohammed Sari (2011) oscillate between avantgardist translation and homogenizing translation