المستعار الديني والأدبي في جدارية محمود درويش: مقاربة أسلوبية

Abstract EN

Any work of art requires the writer to be familiar with the cultures and heritage, benefiting them in the completion of his literary works, the results of this impact and vulnerability inevitable phenomenon is the phenomenon of employment heritage.

the birth of this literary work inevitably leads to the generation of new innovations, creations are creations deeper reader, or the receiver while he was with the bombing of the literary text, it is not limited to copyright, but the reader is the king after his release from the hand of the author, the reader has the right to dismantle the symbols in his own way more in line with the structure of language and creative potential energies- then beyond that to talk about the use of the poet's heritage and as well as the methods employed by his kind religious, mythical.