جمالية العتبة النصية في رواية ابنة الرماد لفوزية عرفات

Abstract EN

The aesthetics of the textual threshold in the novel, Daughter of Ashes by Fawziya arafatLebanon is a glaring example and a home in which strangers come together of diverse origins as it is the Arab society that brought together all contradictions, all religious sects and ethnic groups.

-the novelis chose short titles with wide significance in different ways and this indicates her broad culture and work on textual data that stimulate the readers' attention.

- the titles selected by Fawziya Arafat and Fawzia Arafat's titles are distinguished by their linguistic economy with semantic breadth and omissions that generate delusion.

-The novelist's choice of title reflects her wide culture, which gave her a large store of ideas expressing her visions, due to her ability to capture the expressive energies of language, and her artistic inspirations that make the text more open to interpretation.

-The main title of the novel may be a word or several words, as it cannot be identified with a word or sentence, and the internal titles are numerous and numerous, as they include several topics and contain broad sublime meanings.

-The novelist's use of color in the title structure is not a coincidence, but rather has a close connection with the literary text in his books, where we can conclude that the writer's choice of title, shape, color, and image attracts the reader's attention.

-The expression of the novelist by ence of articles is an indication of the generality and comprehensiveness, and the reader imagines in all the meanings of reaching the goal.