الموسيقى التصويرية الجزائرية بين التأثير و التأثر و أسباب تراجعها في الأداء

Abstract EN

Algeria is one of the largest and richest countries in the types of music, singing and rhythms, but this artistic heritage has not witnessed the slightest development in its retention of the authentic traditional identity, and the Algerian soundtrack is part of this heritage, and the first of these works is manifested in some films before the liberation revolution, to stop during the revolution or to gradually freeze artistic production, and the stage of independence comes to return some musicians to the homeland and start production and creativity again, and this stage extends to the present time and in turn is divided into three stages, a period characterized by a period characterized by a thriving and sophisticated musical artistic activity, a period of stagnation, deterioration and stagnation, and a period of trying to revive cultural and musical life in particular, and this prompted the researcher to hold a dialogue with the professor and composer "Salim Dada" and questioned the reality of cinema and the place of Algerian soundtrack in audiovisual performances.