دراسة تيماتية لمسرحية الحارس لهارولد بنتر : الحائزة على نوبل الآداب- و إخراج عز الدين عبار للمسرح الجهوي بسيدي بلعباس

Abstract EN

The study can raise a problematic question about the research, which is: How did the context of the original text of its writer "Harold Pinter" affect the Algerian theater performance "The Guardian", which revived this reference text from the contemporary world theater? The research adopts the thematic (thematic) method.

With the help of research tools represented in the semiological, cybernetic, historical, social and political approach.

During this brief research, the analytical study was able to monitor one of the essential themes of the presentation of the play “The Watchman”, which perfected the economic construction without neglecting the aesthetic dimensions of the presentation and the intellectual theatrical text whose seeds go back to a contemporary writer who excelled in combining critical political proposition with rd and rd construction, as a theatrical form no longer Avant-garde now, due to its prevalence in all other arts, especially cinema, which is the field of research of the presenter of this study, knowing that "Harold Pinter" has made remarkable cinematic contributions - writing screenplays - worthy of follow-up.