مسرح الطفل وتفاعل الموروث التاريخي مع الألعاب الرقمية: مسرحية حنبعل فري فاير طاهر عيسى بن العربي أنموذجا

Abstract EN

Contemporary child theater has known a qualitative shift on all artistic levels, whether on the level of dramatic text, whose contents are directed towards the direction of the child, or at the theatrical and directive level, which is characterized by the character of the child, which is usually characterized by the excitement of the world.

The digital revolution, which did not call one of the doors of the life of contemporary man but entered it, and the theater of the child found itself with the inevitability of adopting new digital phenomena.

In light of this that has been presented, our intervention tries to uncover the phenomenon of employing the popular and cultural heritage in the child's theater by imparting the modern digital color, by employing the most famous electronic games that the children group knows, basing on the reinforcement of these two dimensions in the play of educational and educational concepts.

Hannibal Free Fire by Tunisian writer and theater director Taher Issa Bin Larabi.