Cultural intertextually in Badr Shakir Al Sayab’s translations of T.S Eliot’s poetry

Abstract EN

This close focus intends to examine the similarities and contrasts between Badr Shakir AlSayyab and Elliot.

The review seeks to examine these artists' views of general quality.

It shows how the general quality according to Al-Sayyab's point of view is not like Elliott, who highlights that indifference is essential to poetry while Al-Sayyab asserts that personality and non-origin together constitute a work of perfection.

Not at all like them, Al-Sayyab has no base notes based on the character's circumstances and lack of origin.

In addition, the center plans to explore similarities between these artists, in relation to their views towards customary legacy.

It also seeks to examine the intertextuality between their texts.

The investigation is relatively based on a few select sonnets formed by the three previously mentioned artists.

The reasons for the review are that al-Sayyab, Abd al-Sabour, and Eliot have similar views on traditional heritage because they emphasize the need for a positive association between current heritage and custom.

With regard to indifference in poetry, Eliot himself is opposed because he was not able to avoid being unoriginal in his poetry.

Once again, the syab and sib sonnets bear their stamps of personality and indifference.

The emphasis similarly assumes that the interrelationship between al-Sayyab and Abd al-Sabour on the one hand and T.S.

Eliot on the other, results from assimilation and not European influence and tendency.