جماليات الانزياح الاستعاري في ديوان (خمسون قصيدة حب)‎ لعبد الوهاب البياتي

Abstract EN

Poets, ancient and modern, were interested in the art of metaphorical displacement in their poetry due to the effective energies in the art of metaphor in the production of artistic painting.

previous and modern critics also took care of it, raising its value and demonstrating its virtue, because it is more a realization of the claim process, i.e.

the claim that the suspect entered the suspect's sex, and is more capable of achieving the desired meaning and expressing feelings, feelings and emotions, when ordinary language is unable to express that.

Al-Bayati was one of the most prominent contemporary poets who used this artistic technique to express their love and nostalgia for their hometown, through which the poet created his finest artistic image.

this article seeks, through the descriptive-analytical approach, to study the role of the art of allegorical photography in drawing the poet's love and nostalgia for his homeland.

the researcher came to the conclusion that the poet used metaphor in all its parts, from declarative and metaphorical, personal, embodied, original and subordination.

hard-liners and their rulers are against the right of that country, and patience and forbearance over their practices.

it is noted that the metaphorical image is more comparable to the declarative, and that is due to an eloquence that first occurred to the recipient's hearing.

he gave her unique aesthetic touches, the most prominent of which was her splendor of the hadith, bright and picturesque, as if it had been said recently that had never been before.