البنية الشكلية : القافية أنموذجا-في شعر أحمد مطر

Abstract EN

The poetic language comes in harmony with the psychological context and with the inner experience of the creator.

It also comes in harmony with the general cultural context, and with the artistic and aesthetic choices approved by the literary community, and the prevailing artistic taste.

Because the poet always remains a son and faithful to his environment, and an honest tongue bearing the vision of the cultural community to which he belongs.

This means poetic language means the death of the language and its rebirth at the hands of the poet and the creator who began to create it.

Thus, the poet is the inventor of language and the invention of language does not come from a vacuum and does not mean that he comes with a language It is different from the prevailing language.

Rather, what is meant is that the language is employed in a special way until it becomes a special linguistic subject.

Thus, the poet’s task in forming the poetic structure becomes a difficult and arduous task.

Because it is confined within a corner that is responsible for giving the word the image as it is responsible for giving it the rhythm.

Thus, the music in the poem is an important element that cannot be overlooked, no matter what, because of its role in giving an expressive aesthetic to the poem, and this is what distinguishes it from prose and ordinary speech.