التمثلات الذهنية و الاشتغال المعرفي في المجموعة الشعرية "كتابة أولية للمنتهى" لعادل بلغيث

Abstract EN

The current study seeks to reveal knowledge limits based on mental representations in addition to views and patterns it presents, which frame the creative act.

moreover, mental perception passes through a set of extremely complex mental processes, from being seen and perceived by processes.

knowledge then, does not stop at self-awareness, but rather, it extends all over the world, touching beings and searching for the possible.

all of that can be noticed through poetic discourse analysis of initial writing of the end by the contemporary Algerian poet Adel Belghith.

so, what are the most significant mental representations according to which the poet built his creative world ? what are the cognitive backgrounds from which he drew his intellectual and philosophical views ? senses to be psychologically mind-ended including what is produced by the higher thinking processes.

knowledge then, does not stop at self-awareness, but rather, it extends all over the world, touching beings and searching for the possible.

all of that can be noticed through poetic discourse analysis of initial writing of the end by the contemporary algerian poet Adel Belghith.

so, what are the most significant mental representations according to which the poet built his creative world ? what are the cognitive backgrounds from which he drew his intellectual and philosophical views ?.