الفوضوية و اشتغالاتها في منحوتات روبرت راوشمبيرغ و كليس اولدنبيرغ

Abstract EN

The current research included the subject of anarchy as an epistemological concept and a strong reaction against the restrictions that defined the reasons for human existence and the subjectivity of the individual and away from the laws that freeze personal freedoms and abolish the human role.

the research was conducted in four chapters : considering it, considering it, considering it, considering it, considering it, considering it, considering it, considering it, its window, and our economic plans for ideal thought that harmonizes with contemporary thought loaded with a torrent of freedom and openness, and the problem ended with the following question (what are the activities of anarchy in the sculptures of robert rauschm and claes olden, and then his artistry and the need for him as an epistemological horizon in opening the form of knowledge.engineering drawing and the engineer, and his goal and the public in identifying the work of anarchists in the works of robert raushem and kefles olden, and its limits extending from 1959-1969, and defining the most important terms contained in it.

as for the theory, it came on a research, the first represented by talking about the cognitive concept of anarchy as a concept of freedom of expression in the visual and how the sculptor broadcasts his speech in his works through the form and content infrastructure of the achievement.

the researcher concluded with some important indicators that were useful in analyzing the two research samples, and then touched on the relationship of the study with previous studies.

as for the third, they included their works in the revision work, starting from the artworks of each sculptor's work from the two sculptors of the two specimens, which i saw the works of each sculptor of the sculptors of the two specimens, which i reviewed.

global information (internet) and represents an overview of the information and the two samples represented a value of (6 models) by (3 models) sculptural for each sculptor, and the researcher confirmed the indicators of the theoretical framework and the observation tool as a tool to obtain the content of the two research samples.

the most important findings of the news : 1 the style of displaying the sculptural achievement, the costumes of the sculptor (raushem) inside the halls, the coordination of the costumes and the sculptor (the color of costumes) are more deliberative and public.

they entered the environment spaces that communicate with the public with greater openness, the size of the chaotic social discourse.

2 employed (raushem) neglected in the art of sculpture in a technical manner in a more confusing way than (oldenham) as vocabulary within society.

3 the trend of (raushem), more rebellious and revolutionary through its aesthetic discourse than (olden benna'at), which was concerned with the day of sculptural work from images circulating in the memory of society.