المونتاج السينمائي في قصص الناشئة : دراسة لنماذج قصصية مختارة

Abstract EN

The relationship between literature and cinema is a clear one.

Cinema is based on literature as a result of the convergence between the literary (narrative) and cinematic genders, and this convergence helped create the interconnected relations between the literary text and cinema, resulting in this duality an applied key to cinematic literature, and since most of the fictional literary works turned into cinematic works Film treatments were treated, such as cinematic montage of its various types (harmony montage, longitudinal montage, tonal montage), which the research revealed the areas of application of this montage and procedurally on our narrative samples, which are (The Hunchback of Notre Dame) written by Victor Hugo, and (Frankenstein) written by Mary Shelley.

(Around the World in 80 Days) by Jules Verne, (Dracula) by Bram Stoker, (The Swiss Robinsons) by Johann David Weiss, and (Heidi) by Johanna Spyri.