الثنائيات الضدية في شعر المرأة عند سبط ابن التعاويذي (ت 583 ه)‎

Abstract EN

The woman was one of the most essential poetic topics on which poets wrote, as she represents life.

Poets, both ancient and modern, are conscious of their beauty and attractiveness, and they overprescribe her.

The Arab poets described a woman’s beauty by depicting her sensory and moral appearance in terms of regularity and symmetry in her descriptions, moderation in her form, and aesthetic emotions.

The influence of a woman’s attractiveness is seen in the Sabt Ibn Al-Taawithi Collection’s correlation of her beauty with antonyms vocabularies that have a direct or contextual connotation in its depiction of beauty.

As a result, the woman’s image appeared in the poet’s collection (Sabt Ibn Al-Taawithi) with the vision of a unique creative aesthetic based on connotations and symbolism based on particular antonym values at the artistic level.

By depicting them sensually and morally, the antonyms assisted in intensifying the meaning and stimulating the recipient’s intellect.

As a result, the poet could create artistic images of the adored through flirtation by using antonyms in his poetic texts to create aesthetic energy through antonyms rhythm and to create a gap within the text in order to make contact with the recipient, and as a result, he came up with multiple antonyms bearing connotative energies about women’s beauty.