الاستعارة الممتدة في شعر نازك الملائكة

Abstract EN

The research dealt with the extended metaphor in the poetry of Nazik Al Malaika, as the extension of the metaphor, in Nazik al-Malaika, was linked to the philosophical contemplative quality in many of her poems, as it was influenced by her poetic beginning, and the dominance of the touch of despair and pessimism on her, as well as her reflections on the relationship between the contradictions of life and death, which made it clear There is room for extended metaphors.

The research consisted of two sections : The first of them dealt with : defining the vocabulary of the title, and it contains two requirements : The first requirement : extended metaphor as a method of rhetorical analysis.

The second request : An overview of Nazik al-Malaika.

The second topic dealt with : the presence of extended metaphor in the poetry of Nazik al-Malaika.

Then I concluded the research with a conclusion that came out with the most important results.

Among them : Metaphor was linked to the aesthetics of the text, which is considered a form of simulation that was dealt with in critical approaches and the modern linguistic lesson.

Critical approaches specialized in dealing with the aesthetics of the text from a textual perspective in which the view of those aesthetics, or the aesthetics of the text in general, varied, objectively or emotionally equivalent to the emotional charge of the poet, and the view of the lesson.

The modern linguistics of metaphor from the semantic perspective belongs to the structure of the text, which is divided into smaller structures, which are sentences.

Hence, metaphor belongs to the textual system of signs, and the modern linguistic study took into account the harmony between the authentic status of the metaphor with its quantitative imaginative counterpart, meaning the harmony between the sincerity of the metaphor with the reality of the text, and there were many places of extended metaphor in Nazik al Malaika's poetry, so it was relied upon as a mechanism to describe feelings, materials, and the surrounding reality.

With it, such that the extension of the metaphor is compatible with the intertwining and interconnectedness of what is described.