أسلوب علي إسماعيل في توظيف لحن أغنية ست الحبايب لتعميق بعض المواقف الدرامية بفيلم إمرأة على الهامش

Abstract EN

The Egyptian cinematic drama is considered one of the arts that most influence the audience, as it is a form of artistic expression through which the scriptwriter, director, or narrator expresses an idea or topic, and the soundtrack has a great influence on the spectator's response, as it works to deepen the dramatic content of the visual image.

For the scene, the Egyptian filmmakers were concerned when choosing the soundtrack for their works to reach the hearts of their listeners directly, and among the pioneers of soundtracks in Egypt who influenced this field were Andre Ryder, Fouad Al Dhaheri, Ali Ismail, where they opened the doors of glory to the soundtrack in front of other generations, and many Egyptian composers used some audio works to employ them in proportion to the dramatic situations, including the movie “Woman on the Sidelines.” He invited the researcher, in an attempt to present a study to shed light on one of these works, which is the movie A Woman on the Margin, to identify his method of employing the melody of the song Sett Al Habayeb and its role in deepening the drama of the film's events.