دراسة مقارنة لقالب السماعي الثقيل من خلال مؤلفتي سماعي حجاز (نبيل شورة)‎ و(أنعام لبيب)‎ والاستفادة منها في صياغة قالب سماعي ثقيل

Abstract EN

Music is considered one of the elegant and selective languages the world ever knows.

it is the name of a science concerning with the search for tones and rhythm, and how it can be harmonized or separated.

it is an art built on science and study, it is an art of beauty.

"Samaaei" form is one of the most important instrumental forms at Arabic music composing, as many Arabic music leaders (either in Egypt or the Arab world) composed "Samaaei" form at different Makam and music time signatures.

the Makam at Arabic music performing great value at the structure of the compositions, it is even considered the basic part of its components.

our Arabic music maintaining a lot of oriental Makams that differ in types and structures, some of them well known while others not.

"Hegaz" is one of the most famous Makams, since it is an ancient one that was used at the Arab culture.

the research is divided into two main sections: - first; the theoretical frame; including the folowing subjects: samaaie thakeel form, Kegaz Makam, biography of "Nabil Shoura", biography of "Anaam Labib".

- second; the analytical study; including; "Samaaie Hegaz" analysis (Nabil Shoura)-"Samaaie Hegaz" analysis (Anaam Labib)-comparative study between the mentioned two "Samaaie Hegaz"-and "Samaaie Hegaz" composed by the researcher.

the researcher coming out with the following results: - the availability of Makams shifting & tones paths while composing "Samaaie" form at "Hegaz Makam", for (Nabil Shoura & Anaam Labib).

- to achieve benefits from those compositions in analysis and in innovating new composition by the researcher at "Samaaie" form, "Hegaz" Maakam.

finally, the research closed with results, recommendations and references of the research.