الشريف لمراني و صناعة النموذج الموسيقي المنفتح لمجموعة لمشاهب : قراءة موسيقو-فلسفية

Abstract EN

In this article, we address the role of Charif Lamrani in presenting a musical model open to Western music techniques, and how his applied ideas contributed to the music singularity industry of a group of spectators and give it a distinctive place among groups, with a philosophical-music analytical approach to Mechaheb’s musical texts.

We will highlight the functional dimensions of group art, and we will highlight his amendments to the instrument, and how his applied ideas contributed to creating the musical uniqueness of the Lemchaheb group, such as « arpeggios », « harmony », and distribution of human sounds and use of compatibility.

This has given a renewed and open dimension to occidentale music while preserving the central equation between presenting Moroccan-identity music and opening up to advanced occidenale music techniques in terms of musical performance.