رؤية جمالية معاصرة للتصميمات الزخرفية الرقمية

Abstract EN

The research problem was represented by the following question : is it possible to merge between digital painting and traditional decorative painting in creating contemporary works?, while the current research aimed to reveal contemporary digital decorative designs through the objective research boundaries represented by plant decoration in the light of digital technologies for the period (2010-2020) by the working artists in the field of beauty of decoration in the Islamic world.

while the second chapter was divided into two sections, the first one included "Arabic decoration, its concept and stages of development", while the second section was represented by "digital decorative design techniques." while the third chapter tackled with the research procedures, the research community, which consisted of (50) forms, the research sample was chosen intentionally and through the descriptive analytical approach at a rate of (60%) and it became (5) models.

193 journal of the university of Babylon for humanities (jubh) is licensed under a as for the fourth chapter, it represented the results of the research, the most important of which digital techniques contributed to the production of various and multiple formations within the same shape within the framework of the painting.

the conclusions are : the multiplicity of digital technology and style helps the artist to control the effort and time he spends in producing the traditional painting.

the researcher recommended making use of the research results to produce digital paintings, and the researcher suggested a complementary study (an aesthetic reading of the digitally processed linear formations).