تنوع التصاميم المعمارية لبيوت الطيور في العهد العثماني

Abstract EN

Diversity is one of the important elements involved in the formation of plastic arts in general and the art of pottery and ceramics in particular.

through this element, the Muslim artist was able to download his architectural designs executed on the facades of religious and worldly buildings with high expressive values, in addition to creating architectural designs with multiple diversity in terms of aesthetics of the idea.

and the content, which led to achieving a visual tension for the recipient through the diversity of architectural designs for bird houses that characterized the ottoman Islamic era, as they reflect skill, creativity and beauty.

from the aesthetic dimensions related to the element of diversity.

this research has studied (the diversity of architectural designs for bird houses in the ottoman era), which is located in four chapters.

as for the second chapter, it was represented by the theoretical framework, including three sections, and the theoretical framework concluded with a set of indicators.

as for the third chapter, it dealt with the research procedures, which included defining the research community and selecting the research sample amounting to (5) as a model, then the research tool.

as for the method used to analyze and describe that sample, the descriptive analytical approach was adopted.

as for the fourth chapter, it deals with the research results and conclusions, the most important of which are : 1- bird houses are distinguished by the diversity of their designs of aesthetic and high value in suitable places where no human hands can tread, and where birds can feel safe as well, and this is what was evident in all models of the research sample.

as for the most important conclusions : 2-the Muslim ottoman artist was interested in transferring the vocabulary of his cultural surroundings to the walls of the architectural structures, based on the clear influence of life situations, and he expressed these vocabulary aesthetically and in proportion to the choices of the subject and the idea.