تعالي الرسم ودلالته في ديواني "أين اتجاه الشجر، وامرأة دون اسم" للشاعرة ثريا العريض

Abstract EN

Poetry is a drawing of words, expressions formed in front of the receiver through poetry; that poet seeks to convey it or reveal it.

so, with textual transcendence in the text, this textual transcendence is supported and given its semantic dimensions text semantic dimensions.

however, the purpose of this study is to identify the drawings contained in the two collections; where is the direction of the trees, and a woman without a name (Ayan Etejah Alshajer, Emrah Dona Esam) written by the poet ThurayaArrayed, as transcendental textual, and its role in increasing the textual connotations through visual reception.

six drawings came in two collections, plus ripples.

that afflicts the poetic line in the poet's poems and its relationship to semantics.

the study also tries to observe the words related to drawing.

from this point, the study seeks to read and figure out the aesthetics of draws and what is related to them, which find and lead to their connotations.

the study concluded that the poet limited her drawing on women, and this is an indication of the woman value and position for the poet, and this is due to two things: her affiliation to this gender, and her sense of the painful reality, and marginalization of Arabian woman, while the ripples contributed through its visual role in giving connotations that correspond to the poet imagination towards reality.

also, poetry vocabulary related to drawing and conformed women's and homeland's values with differences of connotation values.