المرجعيات السردية في رواية "بحر بلا نوارس" لجيلالي خلاص وسيمائيتها الثقافية

Abstract EN

In his new blogs, the Algerian narrative text has been able to present its artistic, cultural and intellectual tools that draw attention to criticism, thanks to the creative practice that the Algerian novelist has sought in his narrative spaces open to symbolic cultural stocks that refer the recipient to the necessity of research and investigation of a set of references on which the discourse is based in its tone and units its structural elements, semiotic vocabulary and sociological point of view.

in this charismatic, semiotic and cultural context, Djilali Khallas weaves his novel “sea without gulls”, in a way in which the text axes seem like semantic mosaics closely related to the past and the present, with all the narrative highlighting of these two times, controversial with its historical and political material that remarkably dominated in the angles of discourse, which reinforced the documentary reference of the novelist, and confirmed the idea of a narrative recording of the facts of the past extending from the revolution to the black decade, and the resulting social paradoxes employed by the narrator in order to reveal the truth of the consciousness that Djilali Khallas believes in and chronicles him aesthetically with a clear narrative efficiency.