فن الصور المتحركة: فلسفة السينما: دراسة تحليلية في فلسفة الفن عند نؤول كارول

Abstract EN

The research aimed Carroll decides the priority of the expression of moving images that corresponds to the moderate substantive state emphasized by the aesthetic experience, which contains two visions: the first is to define the artistic medium, and the other is to define the style or content that focuses on the nature of the artistic medium.

Carroll then focuses on the position of the film's form, and the realization of how the cinematic discourse interacts in a natural way with the workings of the artist's mind and state of mind.

Carroll presents a hypothetical declarative film theory that deals with film in a realistic way through two concepts: documentary, non-fiction.

this requires an awareness of the state of mind of the spectator, through which he realizes the reality of the film as well as the aesthetic characteristics, whether intentional or unintentional, so that the philosopher works to develop this theory by criticizing and developing these three theories: documentary-non-fictional-virtual declarative, on which each of the aesthetic experience is based and the aesthetic concept of art, but this theory did not have a decisive say.