إشكاليات الترجمة والتعدد الاصطلاحي في الدراسات النقدية الرقمية العربية: مقاربة اصطلاحية ومفاهيمية

Abstract EN

The investment of digital technologies and their multimedia in Western literary creativity has led to the emergence of a new type of writing known as digital writing, which is self-fulfilling based on digital intermediary algorithms and software, resulting in a revision of all the achievements of paper-based critical theory, especially concepts and terminology.

By virtue of culture, digital writing has resonated with Arab criticism from the translation portal, where some Arab critics have been involved in the theorizing and translation campaign of theories established by early Western critics and digital.

But their translations have produced major problems because of the nature of the Arabic monetary dictionary, which already suffers from the inherent problem of the term; this study is based on description and analysis.

To conclude that the problem originated primarily from the idiomatic chaos that accompanied the first theoretical approaches of Arab critics, each critic elected his own terminology, in addition to the complete absence of all forms of agreement and understanding between them on the philosophical and intellectual origins of new writing terms.