الفلسفي والتخييلي في النص الروائي الجزائري المعاصر رواية غرفة الذكريات لبشير مفتي أنموذجا

Abstract EN

Based on several philosophical starting points, the contemporary Algerian novelist text has ventured into the worlds of modernization and experimentation.

it presented new narrative formations that went beyond the norm in Algerian writing, including “autofiction”, a term coined by the French critic Serge Doubrovsky and used for the first time.

once named his book “the son” (fils), with the aim of describing a new narrative style that falls between two major genres: autobiography and novel, and is based on two basic components: the self, which has taken a problematic position that oscillates between reality and imagination, existence and annihilation, presence and absence, and language.

reversing from its communicative function to the poetic function.

the present study, for which the novelist Bashir Mufti’s “the room of memories” was taken as a procedural key, aims to examine the debate between self and language and to clarify the aspects of the intersection of the philosophical and the imaginative in a supportive text in which the question of being is the question of creativity, so the depth of the content coincides with the modernity of the form.