تمظهرات الذات الأنثوية في رواية راعيه الذئاب لأحلام لقليدة أنموذجا

Abstract EN

This paper aims to highlight the manifestations of the female self in the Moroccan novelist Ahlam al-Qalidah.

indeed, the later was able, in a brilliant manner, to employ the body in its various dimensions and its conflict with the self in a reverse way so that at one time it is detached from it to merge with the other, and at other times it searches for the original identity trying to retrieve it.

in this novel, ideas and visions crowd together to form another self that is more aware and vigilant, with what may result from acts of rebellion marred by all kinds of torment and oppression, especially since it is in a society subject to patriarchal male authority, unaware of its value or its being.

the novel presents an idea that was and still is lurking in the clutches of the oriental man's thought through a semantically dense narrative fabric, which relies on various narrative techniques and linguistic patterns rich in non-innocent themes.

this technique aims to reach the reader with an ideological suit intended by the novelist.

in order to reveal these features, i relied on a descriptive and analytical approach based on some psychoanalysis concepts to apprehend the female self, the movement of the body, and its struggle with the outside world.