الخطاب المسرحي والنظريات: أية علاقة

Abstract EN

This research aims to speak of theatrical discourse as a discourse that derives its importance from the questions it raises on the one hand and the issues it raises and the method it proposes to address on the other, and by the creativity it accumulates culturally.

On the other hand, without neglecting the accompanying criticism as directed, because what distinguishes the theater is its openness to multiple readings, its adaptation to various fields of knowledge and the taking into account of the different knowledge that open the door to it.

To understand and interpret it, to make it an art in which science and all kinds of Knowledge are intertwined.

The theater has become a destination for all the Approaches and theories that have found their place in the theatrical discourse, as a rich literary material that does not skimp on any approach or theory to satisfy its cognitive saturation.

This is perhaps what we will seek to address in this research, namely the relationship of theatrical discourse to modern theories.